Credit Claims For Kansas Freelancers: Legal Strategies For Income Stability

Credit Claims For Kansas Freelancers: Legal Strategies For Income Stability – “Media Liability” policies protect against costly lawsuits for falsehood, defamation, defamation, invasion of privacy, defamation, copyright infringement and more. Insurance can cover the possibility of significant legal fees and monetary damages due to court judgments or settlements.

The good news is that independent freelancers who work for established publications are often covered by the publisher’s policies. If the author claims to have it back, great. But even with such assurances, there are potential pitfalls. We’ll get into those below.

Credit Claims For Kansas Freelancers: Legal Strategies For Income Stability

If the publisher’s umbrella isn’t open, however, having your own goals can be good — some might say important.

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Discount policies are available to investigative journalists through a few media organizations (described below), although coverage is limited.

Still, finding good insurance can be difficult, according to a 2021 article by Laura Spinney in the Columbia Journal Review.

In choosing media liability insurance, there are many confusing options. The appropriate answers will vary with the specific situation and what you can offer.

The availability of media insurance, and the need for it, varies around the world. Statistics show that both private and media organizations in many countries go without media liability insurance.

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However, sometimes different types of protection come into play. Media organizations that collaborate with larger organizations may be covered by their policies. Lawyers who advise the media can support this by promising to defend them if a lawsuit is brought.

While most of the information below pertains to North America, there is some global in mind for insurance companies.

Perhaps the best insurance – and this is a global guide – is to understand the types of things that can get you into trouble in the first place.

For both individuals and organizations, there are many of the same factors to consider in purchasing media liability insurance.

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Organizational choices are in many ways similar to those facing people, so we’ve covered the issues here.

It appears that covering contractors, including freelancers, is not all that expensive for publishers, according to brokers and insurance company officials interviewed.

Also, protecting private individuals is not entirely the same. Doing so reduces the likelihood that a financially exposed provider will work with the other party in a lawsuit.

Closure can be sensitive with the announcer on individuals. Some policies require the publisher to make this choice when a contractor is hired; others allow determination of when the claim arises. Some are even asking the private sector to agree to a level of responsibility to ensure “skin in the game.”

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So even if an editor promises legal protection, ask questions. Ask about the duration and extent of coverage and if you have any exposure. Ask for a copy of the policy – or at least, the relevant details.

If the editor says you are covered, it is a good idea to have such a promise in the email, or as a clause in the contract.

Your liability may arise – not necessarily in a positive way – during contract negotiations. Some publishers are looking for a part to compensate themselves. Discussion may be possible.

Increasingly, publishers want “waiver” clauses to hold them harmless in the event of a lawsuit over an article and “damage” clauses to require writers to share the burden of the lawsuit. Such statements can be dangerous. Some journalists refused to sign them. Some negotiate.

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The reason for the concern is clear: Few private individuals can afford a high-cost, low-cost personal injury lawsuit.

For journalists writing non-controversial stories, signing contracts that contain defamation and retaliation may not be risky. But for investigative journalists, the potential for financial exposure can be a threat. Contact journalists, lawyers, and insurance experts, encouraging their advice below.

Sara Tatelman wrote in 2018 on the News Agency of Canada, a publication founded by Canada: “Although it may be difficult to ask an editor to change the wording, there is nothing wrong with doing so, as long as you are tactful and polite.” Media Guild and Writers Guild of Canada to create an online community for independent and freelance journalists across Canada. It is now published by the Freelance Guild of Canada.

Some writers can be turned off by dealing with nervous editors and leave them for more proof. One is science writer Lesley Evans Ogden, who shared her findings in the News Agency article Indemnity Clauses – the Rickety Bridges of Freelancing.

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“Don’t be afraid to ask for the terms to be changed for your benefit (and don’t be bullied into agreeing sometimes to something you’re not comfortable with),” says Michelle Guillemard in the Health Blog.

He interviewed lawyers, journalists, and insurance experts about what to discuss. Here is a comprehensive list of their recommendations:

Insurance “dealers” are usually on hand to help find the right policy. (They are generally funded by the insurance company.)

Dealers can help you define your needs. Brokers act as intermediaries, getting quotes from insurance providers and providing guidance on the best option.

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For a better overview, the Nonprofit News Network conducted a webinar with two American insurance experts. Watch this 2020 video with Chad Milton and Michelle Worrall Tilton of Media Risk Advisors.

For an overview of what to look for and where to buy insurance, check out this 2017 Columbia Journalism Review article titled I’m a Freelance Journalist. Do I Need to Purchase Liability Insurance? by Annalyn Kurtz, a freelance business writer and editor based in New York.

Insurers will want to know a lot about you. They will likely ask about your work, if you have been sued, what you do to ensure editorial quality, your fees, and more.

Your answers will inform the insurer’s calculation of their potential risk exposure. This determination affects their policy offer, especially for “premium” (ie, what you pay).

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There is also a level of “retention fee” (what the insurer does not pay on a claim), also called the deductible. This is an important factor that affects your credit score.

Another important consideration is the maximum liability (the most the insurer will pay), usually over one million dollars, but often higher. Higher levels will affect premiums.

Investigative journalism “can be scary” for insurers, says one expert he consulted. “It is not a big deal if they will be sued; it is time to sue,” said an insurance company official.

Because of the potential loss for the insurer, investigative journalism groups can expect to be scrutinized by brokers and/or prospective insurers.

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Brokers, insurance company executives, and others emphasize that insurance applicants need to address the concerns of policyholders carefully. Among their recommendations:

One area that may be of particular concern to investigative media organizations concerns those who may settle cases. This is a point of conflict when the insurers think it is better to cut their losses and the journalists feel strongly about the fight against their accusers. The so-called “hammer clause” allows the insurance company to use such proposals, but they can often be avoided, experts say, or can be negotiated on similar terms. Variations, for example, may say that if settlement is rejected, the insurer will pay a portion of the claim value above a certain level.

Professional journalism organizations sometimes seek to help their members by establishing relationships with insurance providers. For independent news organizations in North America, the Nonprofit News Network aims to assist its member organizations with their media responsibilities. INN has established relationships with many insurance providers, offers free one-hour consultations with an insurance consultant, and provides consultation documents and training on the subject. See more information here.

Members of the Freelancers Union, an American union, can purchase insurance here. “We offer writer insurance starting at $23 per month for $100,000 of professional liability insurance.”

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Members of The Authors Guild, mostly American novelists, are eligible to participate in a specially negotiated group plan and receive media liability insurance at “significant discounts” through AXIS PRO, an insurance company of Kansas City, Missouri. The Writers Guild fee in 2020 is $135 per year ($100 for emerging writers). AXIS PRO will write policies to cover claims of infringement, invasion of privacy, copyright or trademark infringement, plagiarism, errors and omissions, and other related risks.

The National Association of Journalists of America offers its members a discount plan through Waltery Insurance Brokers and Chubb Specialty Insurance. Its “modern liability service” service costs $495 per year.

In Canada, membership in CMG Freelance comes with Errors and Loss insurance, but the original policy does not cover “authors who write or publish investigative content or expose….”

Major US media brokers are AXIS PRO, AIG, CapSpecialty, Chubb, CNN, Hiscox, Mutual Insurance Company Ltd. (Bermuda), OneBeacon, Philadelphia, and QBE.

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Providing quantitative estimates can be misleading; Experts emphasize that the price will vary due to many variables, such as the performance of the insurance and the details of the policy. For media organizations, costs can vary greatly, often depending on the output and type of journalism. For small media organizations in the United States, the minimum annual premium will be $2,500 in early 2020, according to insurance brokers and industry experts.

The cost per head seems to run below $1,000, based on evidence on the subject from the United States, Canada, and Australia. Annalyn Kurtz explained in her 2017 CJR article that she found the prices to be different:

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